Vignettes

How to Hide an Elephant (a cover)

By Klara Glosova

Thursday, June 14th

6-9pm


This show is poetry

not prose,

but then again I’m like America -

full of Grand Canyons and contradictions.

elephant_show
Jako slon v porcelánu (Like a bull in a china shop)
Porcelain, green shrubbery, 2012

www.pictureband.com

May 17th

Amanda Manitach - City Arts Blog Flaneurie and Floriography

May 3rd

Sun Worshipers Book Launch Party

Vignettes will be taking the month of May off.

thankyoumegabodega

I am creating a publication which is due to launch on July 3rd at Family Business Gallery in NYC.

It is called Sun Worshipers and consists of 25 Seattle based contributors. My theory is that everyone who lives in Seattle is a Sun Worshiper, these are their creations.

cheers,

Sierra Stinson

April 30th

Moral Floral by O’Keeffe

Vignettes is pleased to present the one day only exhibition featuring a large scale photographic installation.

Sunday April 29th

4-7pm

FLOMO

‘I obsessively scan the landscape searching for beauty in a grey world. Flowers provide me with a sense of purpose and power. Temporary and unique each petal and each stem grounds my senses both delighting and liberating.’

liquidcrystaldisplayground.tumblr.com

March 25th

Brokedown Palace

The body that remains, and what you do with it, is most beautiful.

By Diana Falchuk

Saturday

March 24th

7-10pm


‘This show is inspired by the tiny relics I love to find and make, the middle class, and the unavoidable somatic self.’

Matchbook_Butterfly_Balloon_CloseUp

Untitled, 2012, Assemblage

Ochra_OrangeHeads_TopView

Untitled 2012. (Mwwahhh) Sculpture

www.dianafalchuk.com

February 23rd

Embedded

by Lauren Klenow

Wednesday

February 22nd 

6-9pm

Golden_Sunset2

What we now consider to be the most western part of Washington State, is actually the remaining eastern edge of the world’s smallest tectonic plate.  The Olympic Peninsula was once part of the ocean floor on the plate of Juan de Fuca until it crashed into the larger continental plate of North America, shifting landmasses and creating the Olympic Mountain Range.

Grappling to understand these vast geological shifts and the scale of their movement, Lauren Klenow spent a month exploring the Olympic Peninsula between Port Townsend and Neah Bay.  Responding to these mountain peaks and waterways. Embedded is a collection of works created amidst time spent traipsing among Sitka spruces and westward excursions along coastal bluffs, mountain ridges, and beaches.

www.laurenklenow.com

Creation of this work was made possible in part by Artist Trust Grants for Artist Projects (GAP) Program and Centrum Residency.sponsers

February 17th

ArtDish - Sean McElroy “We Are Happy To Serve You” by Amanda Manitach 

February 10th

An Evening of Bill Clinton Love Poetry, in Celebration of Eros

Join us for the closing reception of Sean McElroy’s current Vignettes exhibition ‘We are Happy to Serve You’

February 14th

6-9pm

Reading will begin promptly at 6:30pm

We have limited capacity so please arrive at 6pm for this event.


The readers will be:

Bond Huberman

Shannon Tharp

Nicole Burgund

Adam Boehmer

Bill Carty

Plus a dramatic reading from the Starr Report.

Including a genuine Clinton-era Kinko’s publication.

clintonia3

Also a lovely article written about Sean’s exhibit by Amanda Manitach for ArtDish - Sean McElroy “We Are Happy To Serve You”

February 6th

ONN/OF a light festival

 January 28th - 29th

A Vignettes Off-Site Production

While January brings Seattle a 26% chance of sun and rain turning to showers with a chance of drizzle later in the day, Susan Robb, Sierra Stinson and Jim Demetre are creating and curating ONN/OF an art exhibition and “light festival” that forecasts a weekend of illumination, warmth, and gloom-banishing engagement.

Housed in The Sweater Factory, an 11,000 Sq Ft warehouse in Ballard, ONN/OF was born from 2011’s isolation-inducing, La Niña-drenched winter weather. This year, instead of hiding away on what has been scientifically proven to be the worst, most depressing day of the year, Susan, Sierra, and Jim invite you to engage with a weekend of visual art, performance, installation, projection, music, food and drink, and workshops that in some way use “light”.

Their aim is to create an environment that not only lets people escape the cold and solitude that comes with Seattle’s winter season but to build a warm and energizing experience that might produce enough radiance to help see Seattle through the rest of the winter.

onnof.us

Just a few highlights….

Graham_Downing.2

Graham Downing

Justin_Lytle_untitled_Videodetail 300dpi

Justin Lytle

Bran_Flakes3

The Bran Flakes

January 22nd

We Are Happy to Serve You

by Sean McElroy 
January 14th - February 14th

Vignettes will kick off the new year with an opening of a large scale painted installation by Seattle based artist Sean McElroy. Since this piece will be painted directly on the walls of our apartment we will have the exhibition open until February 14th by appointment only. Our first month long exhibition!





We Are Happy to Serve You
is a map of the internal and external world.

Its axis is brain - tongue - stomach - genitals.

Its deity is Bill Clinton.

Its currency is the dollar.

Sean McElroy

O.M.G.B.R.B.

tempera wall painting, 120 x 100”

2011 

goldensplinter.com

January 2nd

City Arts Magazine  - The Curator: Sierra Stinson

January 1st

Insatiable

by Victoria Yee Howe


December 23rd

7-10pm


an edible installation

of all-consuming consumption

during one night of disintegration

victoriayeehowe

insatiable 3

insatiable 4

yeehowe.com

also read What Galleries to Visit Over the Holidays

December 12th

Swan Song

By Greg Lundgren


December 10th
7-10pm

swan song

It will make people break laws and protect the poor and fuck complete strangers and do terrible things. This sculpture will make people take care of each other, but not all the time. This sculpture will recalibrate us all - turn us into the things we have been all along.

swan song 1

Sculpture #3

This sculpture didn’t change the world in any substantial way, nor did it sell for a million dollars.  It wasn’t even created by a “professional” sculptor, just someone who had an idea that couldn’t quite be expressed with writing or music or painting. It had to be expressed as a three dimensional sculpture, and even with limited talent, that is what he set off to do. 

This sculpture took a very long time to create. There were weeks when the artist just walked around his creation, studied it from every angle, puzzled, frustrated, uncertain. He read books, he took classes, this was that important to him – a critical operation – his life depended upon it. And for an entire year, this sculpture just wasn’t quite right. There were parts that were interesting, but it failed to capture his voice, it failed to capture the ideas that his vocal cords and his keyboard were ill-equipped to fabricate.

This sculpture was painstaking. This sculpture was a pain in the ass. This sculpture caused countless sleepless nights. But three years later, the artist (drunk) had his eureka moment, raced out to his garage and spent the next 134 hours frantically capturing the answer that he feared would disappear like the memory of a dream. And one day, this sculpture was finished.

Other people did not appreciate this sculpture. Certainly his friends and family applauded the tenacity of his summit, but strangers – curators, dealers, artists – it just failed to resonate with them. You could say that this sculpture was rather ignored by the world at large.

The artist, elated by his breakthrough, was taken back that others did not see the clarity of his expression or applaud his great feat. He was frustrated that this sculpture did not sway the dealers or the critics or the curators who guarded the gates of contemporary art. This sculpture was shown briefly in the record store his friend Carl owned. This sculpture was donated to an auction for a very good cause but failed to garner a single bid. Years past and the artist maintained his conviction – this was the greatest achievement of his life – this embodied something greater than himself, it defied words and explanation – it was his swan song. He never created another sculpture in his life. 

This sculpture was given as a gift to an old girlfriend who bought a big house and had all of this room but no money to purchase furniture or art or much of anything else. For a few days this sculpture looked good in this big, clean, empty house, but as other stuff came in, as rugs and couches and track lighting were installed, this sculpture sank back into unassuming mediocrity. It gathered dust. It was moved into the office. It was moved outside next to the pond. And one day her interior designer put his foot down and had this sculpture taken to a local Goodwill, where it was priced very reasonably. And on half price pink tag day, a local book dealer purchased this sculpture for $15.49, took it home and wrapped it in carpet remnants. His four cats absolutely adored it.

swan song 2

swan song 3

vital5productions.com

More images/text here

December 1st

Sentimental

New Creations by Zack Bent

featuring a poem by D.W. Burnam

November 10th

7-10pm

vignettes_zbent

I’ve taken to a happiness invested in nagging reserve.  Hopefully in time it counters this vicious entanglement of labor and expectations.  I read it in de Silentio:

 “At this point men leap aside, they cannot bear the martyrdom of being uncomprehended, and instead of this they choose conveniently enough the worldly admiration of their proficiency.” 

-D.W. Burnam

rational01

rational07

rational05

zackbent.com

October 24th

Willie Fitzgerald -MSN Postbox Home Show

October 2nd